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While “Blue” earned big buzz because of the obvious - its long-form sex scenes, alternately hot and totally exhausting - that only obscures the finer points that Kechiche and his ladies put on the ill-fated romance between Adele and Emma. The Best Sexy Movies of the 21st Century, from 'Y Tu Mamá También' to 'Portrait of a Lady on Fire'Ĩ Sex Positive Short Films That Exude Sensuality, Kink, and Body Positivityįrom 'Nymphomaniac' to 'Shortbus,' a History of Unsimulated Sex Scenes in 32 FilmsĤ1 Great Films That Failed at the Box OfficeĪbdellatif Kechiche’s rigorously erotic three-hour romance initially spawned Cannes walkouts before picking up the Palme d’Or, split three ways between Kechiche and his stars Adele Exarchopoulos and Lea Seydoux, proof of the level of dedication all three of them poured into a wild (read: maybe even nightmarish) shoot.
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Like “Beach Rats,” Hittman slowly spoons out important revelations, but its the smallest details that hurt - and hit - the most. Lila’s emotional immaturity constantly butts up against her deep physical desires, leading her into increasingly fraught situations she’s not equipped to handle. Lila’s desire to be, well, desirable, finds her fixating on a local boy Sammy (Ronen Rubinstein) with a reputation, whom she doggedly pursues in hopes of striking up a relationship. Set during another languorous Brooklyn summer, Hittman’s debut follows 14-year-old Lila (a fearless Gina Piersanti), awkwardly and constantly exposed to the sexual exploits of her older friend Chiara (Giovanna Salimeni), who goes through boyfriends and experiences with the kind of ease that Lila can scarcely imagine. While “Beach Rats” isn’t an official sequel to Hittman’s previous film, “It Felt Like Love,” the filmmaker explores similar themes and structures and both, told from seemingly opposite vantage points.